In the past 5years, Paleti series has successfully presented and archived more than 30 creators of Nepali Adhunik.
The 6th year is to start by featuring renowned composer Karma Yonzon. Based in Darjeeling, Yonzon has arrived to Kathmandu and is busy rehearsing with the Paleti Musicians at nepa~laya's 'r' sala.
A veteran composer from yesteryears, Karma Yonzon has been musically active since early 60s. His compositions has been sung by wide range of singers which includes, Narayan Gopal, Dilmaya Khati, Aruna Lama, Kumar Subba, Dasiy Baraili, Pema Lama and many more.
However, his identity as a composer is strongly connected with a play named - Ani Deurali Runcha by Man Bahadur Mukhiya. Sung mainly by Kumar Subba - songs of Ani Deaurali runcha like - Sarangiko Taarale Mero, He Phool chudera lane, and Deaurali ka thitiho... are all registered as classics of Nepali Adhunik. Similarly - Daisy Baraili's Euta Khulla Kitab, Dil Maya Khati's Sawana Pharki, and Aruna Lama's Phullai sodhen... are all considered among the cream of Nepali Adhinik.
"In 2006, when I had participated in Paleti with Kumar Subba, I was deeply touched by the quality of audience I had encountered. I feel honoured to be invited again. "Said Yonzon as he supervised the young Paleti team as they rehearsed his classic compositions.
Paleti coordinator Aavaas says, "Credit of continuity of Paleti goes to senior and revered creators like Karma daju. Their love and blessings coupled with support from well wishers has been instrumental and contributed to our sustenance."
Paleti is a regular month end musical affair organised by nepa~laya on last Fridays of each month at its 'r' sala in Kalikasthan.
January Paleti is being organised on Friday, 29th of Jan 2009.
Paleti Yatra with Ambar Gurung in Narayanghat and Nepalgunj
Kathmandu, 3rd December 2009, Thursday
Paleti series which has been presenting shows with the maestros of Nepali Adhunik since the past 5 years is now expanding it beyond Kathmandu. After the successful Pokhara experience during Dassian earlier this year, nepa~laya is now expanding it to two more cities - Narayanghat and Nepalgunj.
"With this, Paleti enters a new horizon and the travel editions will now be called - PaletiYarta." says Aavaas, coordinator of Paleti.
Paleti, is a nepa~laya initiated micro event series started in 2003. It has been presenting singers, musicians, and lyricists of Nepali Adhunik from Nepal and beyond to the Nepali audience. Creators as far as from Manipur, Assam, Bhutan and Darjeeling have performed for Paleti along with artists from Nepal.
"My affiliation with Paleti has been a great experience and I credit Paleti for working as a medium of resurrection for Nepali Adhunik ." Says Ambar Gurung as he rehearses with the Paleti musician. "Pokhara was a memorable experience, I do look forward to Narayangad and Nepalgunj." he adds.
The Narayangad show which is being locally hosted by Synergy FM - will be held at Kitchen Cafe Venue in Narayangad on 6th Dec. 2009, and the Nepalgunj show being hosted by Antaral will be held at Hotel Siddhartha View on 8th Dec.
"We will try our best to carry along the same Paleti ambience from Kathmandu's 'r' sala to the show venues." says Aavaas. "In order to do that we are travelling with a compact 25 member team which includes 6 musicians and a female vocalist." he adds.
"Resurrection is the right word for this initiation. This word is normally used in reference to Christ. Christ became Christ after resurrection. Hence Paleti is definitely an attempt to resurrect Nepali Adhunik Music and its audience" emphasised maestro Ambar Gurung.
Gurung also credited for being among the initiators of Nepali Adhunik has lately been known for his composition of Nepal's new National Anthem.
This tour is believed to open ways to take Paleti to other cities in the country as well.
Nepathya, the premier folk-rock band of Nepal is set to release its new album. This release is believed to end a more than three-year long wait for Nepathya fans.
"As our society heads to a peaceful and prosperous future with the new constitution being written, we wanted to come up with a fun filled romantic album, but the current situation inspired us otherwise. This album has ended up being patriotic and peace longing" says Amrit Gurung - the front man of Nepathya highlighting the content of the album.
The album contains 8 tracks, which includes new as well as few songs from its back catalogue to suite the theme of the Album.
Title of the album - Mero Desh comes from the track penned by poet Vikram Subba, and the cover design simply holds the National Flag made with some brush strokes by designer Navin Joshi. The design compliments Nepathya edition of the extremely popular patriotic number Rato ra Chandra Surya, also included in the album.
"We love this song and have been performing Rato ra Chandra Surya during concerts since 2001. I am glad and grateful to respected Ambar dai (Ambar Gurung) for allowing us to record this number." clarifies Amrit. "This song also portrays our love to our National emblem."
Other songs included in the album are Norden Rumba's Kasaile Sodhe, new edition of Pravin Gurung's Ukali Orali, Basanta Thapa's Sundar Shnata Nepal, Aavaas' Rangeen Chara, and Tirtha Shrestha's Aama.
nepa~laya, the producer of the album is releasing it on the 21st of November without much fanfare.
"The reason why we have dated the release for the 21st, is to express a musical commemoration to the 3rd Anniversary of Nepal's Comprehensive Peace Agreement. Though Amrit will not be here on that day - he suggested the connection and we agreed," says Kiran Krishna Shrestha of nepa~laya.
"It has been 3 long years since the CPA and we want to use this occasion to remind all concerned of the achievement Nepal had made. We hope it comes to a logical conclusion with the new constitution we all have been waiting for," adds Amrit before departing for Malaysia to attend the Asia Society - Asia 21 Young Leader's Summit.
Asia 21 Summit brings together 200 selected young leaders with diverse background from Asia and the United States to deliberate on wide-ranging agenda.
"We have recorded all the songs in the album from our heart. We hope our audience will accept this as they have in the past," says the humble pony tailed singer. "Hope we can come back with a more fun filled album soon. It is said art is the mirror of the society, so I believe this is the image that has been reflected through us for now" he concludes.
Mero Desh, has been produced and released by nepa~laya and will be available in the market through the distribution network of Ranjana Cassettes.
Normally it is Pokhara which mesmerizes those who go there with its serene beauty. But it was an otherway round experience and a nice change to witness Ambar Gurung mesmerizing Pokhara. The music maestro performed for Paleti series in Pokhara and the audience was spell bound. It was a well attended event by all the who-is-who from music art and literature field of Pokhara. Teertha Shrestha, Jas Kaji Gurung, Amar Pokhareli, Saru Bhakta and Durga Baral were some of the eager attendants. Noted music composer Karma Yonjan had arrived from Darjeeling to attend the show.
Ambar Gurung captivated the audience with his feelings while he presented "Ma Ambar Hoon", "Bataas Le Jhaareka", "Timi Bhool Ma Paryou", "Yo Jindagi Ko Ke Kura" and "Nau Lakh Taara Udae". He also shared some nostalgic memories related to his compositions. Gurung's 'dear deciple' (in his own words) Aavaas presented some of the unheard compositions which were treat to the ears. Ambar Gurung was moved to tears when he rendered "Jaba Duniyale" and patted him on the shoulders. Aavaas also excelled in "Jasai Kesh Timile Phinjayou" and "Chamkirako Timi Hera." Budding talent Meena Niraula presented somegolden oldies by Aruna Lama like "Pohor Saal Khusi Phatda", and "Sabaile Bhanthe". She also accompanied the maestro for a duet "Tipa Yo Jowan", and Aavaas for "E Kanchha Mlaai Sun Ko Tara".
Noted film maker Binod Serchan said, "I could not miss this once in a life time opportunity to witness the great artiste perform.Where are such music now days?"
Some glimpses of Pokhara Paleti through Amrit Gurung's lenses-
Kiran Shrestha, Jas Kaji Grung, Teertha Shrestha and Aavaas wait for AMbar Gurung to land at Pokhara airport
Gurung's deciple Aavaas bows down to welcome his Guru
nepa~laya team working on the stage set up
Ambar Gurung performing miracle with music
Maestro in a pensive mood
The hypnotized audience-Karma Yonjan in the middle
"It was a power packed performance" Karma Yonjan with Ambar Gurung after the show
A fan wants autograph and legend obiliges
Poet Teertha Shrestha, Ambar Gurung and a local folk singer
A dedicated fan Maya who trekked almost 5 hours from Panchase village to attend Paleti
Jas Kaji Gurung, Bhauju & Ambar Gurung, a child fan and Durga Baral
Karma Yonjan, Saru Bhakta, A fan, Bhauju & Ambar Gurung, and Kuldeep Yonjan
Ambar Gurung offers Dashain greetings through Paleti
Ambar Gurung’s presence and performance at nepa~laya’s ‘r’ sala on Friday – 18th September was a treat to all in attendance.
It was an evening with the maestro’s compositions being played and sung by Aavaas and Meena in presence of the great man himself.
However, Ambar dai did sing few of his compositions – leaving the audience to applaud at length in appreciation.
Along with few solos like Ma Amber Hun…, he sportingly joined young Meena to sing his classic duet "Tipa Yo Jowan", sung originally by Tara Devi.
"I cannot believe that I sang a duet with Ambar Sir. It is a dream come true experience for me," she gushed.
As the show proceeded Ambar Gurung shared his nostalgic memories in reference to his creations. "I believe that blending love with feelings create masterpiece. There should be an equal amount of feelings and thoughts in a good composition." He said. “Along with all these –I would like to wish all of you a very happy Dashain. This is a great festival and symbol of the unity of all the Nepalese." Gurung added.
The connoisseurs of music who were seen moved and in full appreciation to Gurung’s presence and performance took this Dashain special Paleti as a great way to start the festivity.
Upon audience's request Ambar Gurung performed "Nau Lakh Tara" and "Yo Jindagiko Ke Kura" before concluding the program.
Considered amongst the initiators of Nepali Adhunik, Gurung’s latest feat is music came with his composition of the National Anthem of Nepal.
Organized on the last Fridays of each month, Paleti series has been presenting legends of Nepali Adhunik since the past 5 years.
Ambar dai has reached Pokhara along with the team of Paleti to perform on Monday, 21st September.
This Pokhara edition of Paleti is the first formal Paleti show out of Kathmandu. “If this experiment succeeds, Paleti will be taken to other places as well” shared Aavaas.
An enchanting evening at Paleti with Lyricist Ram Man Trishit
Saturday, August 1st, 2009- Kathmandu
It was yet another nostalgic evening at nepa~laya's mini theatre 'r' -sala with lyricist Dr. Ram Man Trishit in a candid mood at Paleti on the Friday evening of 31st August.
As younger generation singers of Paleti, Suraj and Meena presented his classics, Trishit was visibly moved. "It is a great pleasure to witness my songs coming alive once again. I always believed in listening to songs live", Said Trishit after the show.
“Live shows helps to establish the connection between artists and adds liveliness. I am glad Paleti has helped to continue that tradition", He added.
The evening started with a peppy Tara Devi number, "Ek phool jharera ke bho…" and the aura continued with other numbers lik "Dil ma hajur aaera", "Maile punya mann paraen ya paap mann paraen", "manchhe ko maya yahan khola ko paani jasto", "aanshu jharda kheri pani ruwai bhanna sakiena" and "Euta tara jharda pani aakash singai ritto lagchha."
"My association with Trishit goes back to more than four decade. His words are simply different as he tries to pen normal emotions in a different manner." Trishit's contemporary singer Yogesh Vaidya said.
The audiences were pleasantly surprised by the impromptu stage appearance of veterans Yogesh Vaidya and Phatteman. They sang of their original numbers "Alikati timi abhiman chhoda" and "Yati chot sahan lai ta" respectively. Phatteman's interaction with Trishit while singing was a rare moment and well appreciated by the audiences.
Organized on last Fridays of the Gregorian calendar since the past 5 years, Paleti Series has been presenting singers, composers and lyricists of Nepali modern music. The passion to revive Nepali Adhunik and archive the revered artists and their creations in their present form has remained the main motivations behind this initiative.
"We would like to express our gratitude to all the artistes and the audience who have helped to make Paleti happen.” Said Aavaas. “What started as small event has now taken form of a movement. We have come a long way and there is still a long way to go." He added.
Lyricist Dr. Ram Man Trishit to appear at July Paleti
Veteran lyricist Dr. Ram Man Trishit is all set to be part of the Paleti Series artist list. He will grace the July edition of Paleti series.
Organized on last Fridays of the Gregorian calendar since the past 5 years, Paleti Series has been presenting singers, composers and lyricists of Nepali modern music. The passion to revive Nepali Adhunik and archive the revered artists and there creations in their present form has remained the main motivations behind this initiative.
Trishit is to be the fourth lyricist to be presented at the Paleti series. Earlier poets Kavivar Madhav Ghimire, Ratna Shumsher Thapa and Kiran Kharel have been part of the series.
Trishit's writings date back from the 1950s. As a lyricist, Trishit has worked with many yesteryear stalwarts like Natikaji, Shiva Shankar, Narayan Gopal, Phatteman, Yogesh Vaidya among others. His songs from those associations include – Narayan Gopal's "Manchhe ko Maya Yahan" and "Maile Punya Mann Paraen". Similarly Phatteman's "Milan Pani Dekhisaken" and "Kasto Maya Laiechha" are considered as classics.
Since the past week Trishit has been witnessing his poetry come alive again at nepa~laya’s ‘r’ sala, where a group of young musicians and Paleti Singers Suraj and Meena are rehearsing for the show.
Observing the rehearsals keenly, Trishit said, "It is said, visual technology has taken over the audio element of the song. I definitely do not agree to this. I am happy to find initiatives like Paleti still continuing the traditional listening culture and I am delighted to be a part of it."
A medical doctor by profession he is widely known as Dr. Ram Man Trishit. However, when his name is called on the radio, he is credited more as a lyricist and less as a person of his professional.
Coordinator of Paleti, Aavaas said, "We have tried to establish Paleti as a bridge between the younger and the older generations. Participation of veterans like Ram Man dai will serve as an added pillar to it."
Listening to the classics of Nepali Adhunik in presence of the person who has written it always adds to the ambience. This is sure to be a rare opportunity to the fans of Ram Man dai and Nepali Adhunik Music.
Dr. Trishit will appear as the artist of the July Paleti, which is scheduled for 31st of July at nepa~laya’s ‘r’ sala situated in Kalikasthan.
It was like witnessing a seasoned player at his peak playing in his home ground as Aavaas mesmerized the audience at nepa~laya's theater 'r' sala on Friday, 26th of June 2009. It was a well attended event with stalwart like ace poet Madhav Prasad Ghimire, Lyricist composer Bhim Birag and Dr. Ram Man Trishit.
Performing after a long interval, aavaas demonstrated his hold on the notes, rhythm and lyrics as he presented sixteen diverse songs. From romantic numbers to social message oriented ones; he kept the audience yearning for more even after three hours of singing.
"Although I still consider myself a student of music, I am very choosy when it comes to the lyrics and until I can identify with the words, I do not compose or sing", He said.
Most of the songs were his yet to be recorded compositions. He also enthralled the audience with Ambar Gurung and Bhim Birag's unheard melodies. Gurung's "Chamkira'ko timi hera" and Birag's "Manmaya" were treat to the ears. Audience cheered with sheer joy at his live improvisations, playing with the lines in different notes and scales.
Paleti, started five years back with the sole aim of preserving the tradition of Nepali modern music has become a musical movement. It has been presenting artistes from Nepal and beyond who are committed to Nepali modern music.
Poet Teertha Shrestha appreciated the role played by Paleti.
"It has done a remarkable job to restore Nepali music."
Organized every last Friday of Gregorian calendar, Paleti will feature veteran Lyricist Dr. Ram Man Trishit on its July episode.
Singer Aavaas will perform after a long gap in Paleti, a micro concert held every last Friday of Gregorian calendar. He will present more than a dozen songs at nepa~laya's auditorium 'r'-sala on June 26.
Paleti commenced in 2005 with sole intention of preserving and promoting Nepali modern music. Aavaas performed for a whole year before Paleti started expanding its wings and featured other noted artistes contributing to Nepali modern music from Nepal and beyond.
Aavaas dedicated himself to music from early childhood. He trained himself under the guidance of noted musicians of Nepal and India. He has trained himself under the apt guidance of Ambar Gurung. He is known for his melodious singing, meaningful lyrics and quality music.
Preparing himself for the event, he said, "I have been able to feel the music and connect to the audience with Paleti. I hope they will love and encourage me this time as well"
Apart from popular numbers like "Hajur Hajur", "O Tenjing", "Aanshule yo Man", "Gaunthali Jhain", and "Lamp Post", he will be presenting new songs as well. Ambar Gurung's yet not recorded "Chamkirako Timi Hera", Bhim Birag's "Manmaya" and "Nabolau Kasailai Timi Rati Rati" are expected to be a treat for the ears.
Impressive performance by Anju Devi in April Paleti
April 26, 2009/Kathmandu,
A well known Nepali singer from Assam, Anju Devi presented an impressive and power packed performance in Paleti at nepa~laya's 'r'-sala on the evening of Friday, April 24.
The evening started with a melodious chanting of Kavi Shiromani Lekh Nath Poudyal's "Kaalo Mandakini Ko Jal Kalo."Â Most of the songs penned by veteran Hari Bhakta Katuwal and compositions by stalwarts like Ambar Gurung, Bhupen Hajarika, Shanti Thatal and Narayan Gopal created a magical ambience.
Anju Devi, performing in Nepal after a span of 34 years said, "I was delighted by the offer to sing in the land of my fore fathers. Though it was scheduled for 2008, I could not attend because of my health. I was determined not to miss the opportunity again."
"Babu Bhanthe Dhankuta Ma Hamro Ghar Thiyo Re, Gareeb Chusne Samantale Byajai Byaj Ma Liyo Re"
The audience was moved by the quiver in her voice while she poured out the anguish of her ancestors who had migrated from Dhankuta.
Anju Devi mesmerized the audience with more than a dozen numbers like "Yati Dherai Maya Na Deu", "Shunyata Ko Kaalo Andhyaro", "Maile Hernai Bhaena", and "Timile Chahe Samjhera Pani."Â Her melodious voice blended perfectly with the diverse melody, scales and rhythms enchanted the audience. She also presented two Assamese songs. "Buku Hamm Hamm", the Assamese original which was popularized widely after Bhupen Hajarika and Lata Mangeshkar's adaptation in Hindi was a treat to the ears.
"I believe that artistes and music have no particular language or boundaries. Though I could not understand all the words, I immensely enjoyed the song as all other Nepali numbers," Composer Raju Tuladhar said.
Coordinator of Paleti Aavas said, "She has managed to accept our invitation despite her health hazards. Paleti is grateful towards artistes like her who have been active to preserve and promote Nepali music living beyond the barriers of our country."
Anju Devi departed for Assam on April 26, 2009. "I am carrying a lot of fond memories from Nepal. I will cherish the moments I spent here and the wonderful audience in Paleti for the rest of my life. Who knows I might be back again someday."
In its 5th successive years, Paleti has been featuring a prominent music artist from Nepal and beyond on every last Friday of Gregorian calendar. Ace composer Ambar Gurung will be featured in May 2009 Paleti.
Anju Devi, a reputed Nepali singer from Assam, Gowhati has arrived for Paleti to be held on April 24, 2009 at nepa~laya's mini theatre r - 'sala'.
Singing in radio since 1970, Anju Devi is a well known name in Assam. Disciple and duet singing partner of music maestro Dr. Bhupen Hajarika, Anju Devi has adapted the maestro's "Aakham bekhar baagisaare suwali" in Nepali as "Assam ki chelee hoon ma Nepali" which is very popular in Assam. State government has recognized her talent and provided her with accommodation in Assam.
She has recorded few songs in Nepal when she accompanied a musical group to Kathmandu in 1976 with Hari Bhakta Katuwal. She cherishes the fond memories of her earlier visit. She will be singing numbers like "Maile chhoidinda phool oilee jharchha," composed by Narayan Gopal and "Tyo din dhalera ke bhayo" by Ambar Gurung in her forthcoming Paleti. Anju will also spread the aroma of Assam with Hajarika's other compositions. "Buku homm homm", the original of "Dil hum hum kare" made popular by Lata Mangeshkar will be a definite treat for the audience.
She is a graduate in classical music from Lucknow University. Born and brought up in Assam, when it comes to Nepali language and music, Anju Devi feels a strong bond, "Sometimes I wonder I would have been happier to sing in Nepal. Therefore whenever I get an opportunity to come here, I feel that I am in my own country."
Anju Devi's schedule to perform in Paleti in 2008 had been cancelled due to her health hazard. She says, "I was disappointed to miss the opportunity to sing in Nepal. I have managed it this year and I am extremely excited."
Paleti, a micro musical concert organized by nepa~laya has been featuring prominent artistes from Nepal and beyond since last five years.
Yogesh Vaidya, a seasoned veteran of Nepali modern music performed his first ever solo concert of his career at nepa~laya's mini theatre 'r'-sala on Friday, March 27, 2009. "I have not sung more than three songs in one program till date," grinned the charming singer. He swept away the audience with his sheer magical voice smooth as silk. The audience yearned for more after two hours of his performance which included 16 of his numbers.
"Yogesh is the master of emotional songs. He sings feelings, not words," His contemporary lyricist Kiran Kharel said. "He goes down to unfathomable level of feelings while singing and captivates the audience," He added.
Yogesh Vaidya also surprised the audience with few romantic numbers like, "Aankha aankha tekera, adhar adhar tekera, Raat jala bahni ujyalo lai chhekera Bhijeko kampan le chhune rahar."
He enthralled the audience with his popular songs like, "Aankhaima raat gali", "Mero aansu ma na hanse", " Phulchhann jasai yee chhatima", "Nepal mero" and his milestone number "Sapana bhulai sara" amongst others.
Other stalwart lyricists Ratna Sumshere Thapa and Dr. Ram Man Trishit were also present during the show to encourage him. "They used to craft the words like a jeweler crafts tiny diamonds in a ring. Such subtle experiments created a painting out of their lyrics," Vaidya said.
He appreciated Paleti's role for the preservation of Nepali musical tradition. "I have re-discovered myself today and would like to humbly express my gratitude to the audience for encouraging me in this manner," He added.
Artistes dedicated to Nepali music from Nepal and beyond are featured at nepa~laya's 'r' sala every Last Friday of Gregorian calendar. Anju Devi, from Assam, Guwahati will be performing on April 24, 2009.
Veteran of Velvety Voice-Yogesh Baidhya to charm march 09 Paleti
March 18,2009/Kathmandu
Paleti series, March 27, 2009 will feature Yogesh Baidhya, a veteran of velvety voice. Yogesh Baidhya was inclined towards singing from early childhood. His natural talent later received guidance from Pundit Nara Raj Dhakal. In his singing career of more than 4 decades, Baidhya had sung most of the songs for composers like Natikaji and Shiva Shanker. This fact will come across this Paleti, as he will glorify the melodies of yesteryears through his performance. “I have sung 300 odd songs, and 80 percent of them were composed by Nati dai. He also happens to be the composer of my first recorded song, recalls Yogesh Baidhya. “Nati dai and I shared a strong bond because we respected each other, and there was no feeling hierarchy.” He adds. His landmark “Sapana Bhulai Saara” will be a treat to the ears. Along with his popular numbers, he will also sing some of his creative beauties, which has remained unnoticed for long. “I have been part of the Paleti audience before. I have found them to be great listeners and a very compassionate mass.” Says Baidhya.
This Paleti is to be the maiden solo performance for this 62-year-old veteran known for possessing an extremely pleasing velvety voice.
Coordinator of Paleti, Aavaas said, “We are very excited to have Yogesh Dai in Paleti. His current form and mellow voice will definitely captivate the audience. We take his presence as another feather in Paleti’s cap.”
"Phool ko thunga bahera gayo ganga ko paani ma Kahile bhet hola he rajai yo jindagani ma."
The audience present to witness the February edition of Paleti in the graceful presence of living legend Kavivar Madhav Prasad Ghimire were captivated from the very beginning as Meena opened the show with this classic song. Kavivar humbly dedicated the song to its composer Natikaji and original singer Tara Devi.
Paleti, is a micro concert series, which has presented many legendary figures of Nepali music during the past 5 years.
"Listening to such old classics this evening has been pleasant and nostalgic moment for me. I found some of them have come out better than the original," shared Kavivar Ghimire, a veteran litterateur going strong at the age of 90, as the show progressed.
Coordinator of Paleti, Aavaas admitted that it was tough choosing limited number of songs for the show from the large collection of creations penned by the veteran. "We discussed with Kavivar and have tried to include numbers not to be missed. We feel that his presence has helped Paleti to reach a new summit," He added in a grateful note.
More than a dozen masterpiece rendered by yesteryear singers such as "Aaja bholi dukhdaina goda, Shir ko topi bhuin ma raakhi, andheri khola, Jham jham paani paryo, Sheet ko thopa almaliyo, Ajai ra rati ke dekhen sapana and Gaunchha Geet Nepali were sung to the delight of all Paleti audience by Suraj and Meena with the Paleti musical team.
Kavivar in real is the Shirko Topi of the country," Litterateur Kamal Mani Dixit expressed.
Some of his lyrics were corrected from the original recorded version, as per Kavivar's advice. Additional lines added to the classic hit "Aajai ra rati" came as a sweet surprise for the audience. “We do not impose censorship of any kind; anyone performing here presents enjoys full creative liberty while performing.” Says Aavaas, “This has been amongst the objectives of Paleti.” He added.
Coming Paleti, scheduled for 27th March, will see singer Yogesh Vaidya present his treasures from more than 4 decades of his musical career.
Legendary Gayak Phatteman took the audience under the hypnotic spell at nepa~laya's mini theater 'r' sala this Friday.
It was Gayak Phatteman's second innings at Paleti which features legendary stalwarts of Nepali adhunik music every last Friday of Gregorian Calendar. Earlier he had performed in 2007 May Paleti. The audience was pleasantly surprised to listen to this seventy two years young veteran with age defying vocals.
"Phatteman dai sings with his expression as well as his voice." poet Manjul said. "Paleti has been able to create a harmonious rapport between the artiste and the audience." He added.
Gayak Phatteman rendered his powerful vocals to evergreen numbers like Kasto Maya Laiechha, Batas Le Talau Ma, Yasto Pani Hundo Rahechha, Marna Baru Garho Hunna and Sannanai ko Galai Ma. He surprised the audience with some forty years old recordings like Bho Hai Timi Na Aau and Yati Chot Sahana Lai which were almost forgotten.
"It was a pleasure re-discovering these songs. I found them to be more meaningful and melodious now" He said.
The audience wanted more even after he had rendered fourteen melodious numbers and he concluded the program with Raato ra Chandra Surya.
The evening also marked the beginning of Paleti's fifth successive year.
"nepa~laya was acquainted with Nepali modern music when it organized Phattemai Dai's solo program in 2002. Paleti is the continuation of the same association and we are proud to start our fifth year with him", Paleti coordinator Aavaas said.
2009 Paleti offers an impressive line up with Madhav Prasad Ghimire in February, Yogesh Vaidya in March, Anju Devi from Guwahati, Assam in April, Aavaas in May and Ambar Gurung in June Paleti.
Music lovers flooded up to the full capacity of the Western Club in downtown Brisbane to see Nepathya. As per all who attended the show here, it was the biggest gathering in any Nepali shows that Brisbane has seen.
Nepathya in front of the Australia Parliamentary Building in Canberra which consists of a parliament and a senate.
As per Australian laws,voting is mandatory for all eligible citizens. Nepathya was in Canberra utilizing the break before it's 2nd show in Sydney on 10th.
“Let me share with you all a real life story,” said Amrit Gurung amidst his debut performance in Sydney. “I was talking to a second generation Nepali immigrant residing in Europe. When I asked him if he liked visiting Nepal, he simply answered ‘no’. When asked why, he said -I want to go but I cannot communicate with anyone, even my grand parents. I really feel very frustrated, so I do not want to go.” went on Amrit. “I request all of you present here not to repeat this story. Please maintain our language. Our language is our identity and if you loose it, you will loose your identity and your connection with your motherland.”
Probably Amrit had spoken hearts of many present. The packed Science Theatre of The University of NSW erupted in applaude. Nepathya audience in Sydney
Nepathya is in Australia in a 3 city tour and performed the first show on 3rd of Jan. As per many attending the show, this has been the best and the most powerful performance by any Nepali artists so far in this land down under.
“I have attended many Nepali shows here but this has been an exceptional experience. It was great to see a professional performance and the connection it had with the audience. I will not miss the second show at Gaelic Club on the 10th as well,” said Om Gurung, a Nepali living in Sydney.
“It has been a dream come true for me. The performance and response has been far above my expectation. As the organiser it was good to see people leave satisfied,” expressed Prem Kaji Gurung – President of Tamu Samaj Sydney, the local sponsor of the Nepathya’s Australia Tour.
Three happy Gurungsinis after 1st Nepathya show in Sydney
Nepathya’s opening act – Mainapokhari Ghatana left all in a solemn mood. “I could not stop my tears to see what Nepal had gone through in recent years” said Sushma.
“It was a special moment for me to hear the audience sing all the songs with me. People observed both sorrow and joy with our songs.” Said Amrit.
Amrit in full swing
Along with its hit numbers, Nepathya also sang Salaijo – from its unreleased treasure, as part of the 2 hours powerful stage act.
Nepathya performing in Sydney
After Sydney –Nepathya will perform in Brisbane and Melbourne before heading back home on the 20th of Jan.
nepathya front man Amrit Gurung talked on SBS (Special Broadcast Service) of Sydney Radio. SBS allocates one hour of airtime for Nepali package at 9 AM every Saturdays. nepalthya is in Australia for a 3 week tour during which they will perform 4 shows in 3 cities - Sydney, Brisbane and Melbourne.
Amrit Gurung talking on SBS (Special Broadcast Service) of Sydney Radio
Nepal's premier folk – rock musical entity – Nepathya is all set to travel to Australia during January 2009.
The Schedules
Sydney Date: 3rd January 2009, Saturday Time: 6 PM Sharp Venue: Uni Science Theatre, NSW University, Anzac Parade, Kensington.
Sydney Date: 10th January 2009, Saturday Time: 9 PM Sharp Venue: Gaelic Club, 64 Devonshire Street, Surry Hills
Brisbane Date: 15th January 2009
Melbourne Date: 17th January 2009
For more information, contact: For Sydney Kamal Gurung, 043 2794936 Prem Gurung, 043 4069702 Ram Gurung, 042 5241309
For Brisbane Purna Gurung, 042 4095596
For Melbourne Tonu Gurung, 042 1815886 / 03 96707142 With this tour Nepathya is set to re awake after a yearlong hibernation. The last show they performed was in New Delhi at the Rock the Boat Concert on 7th December 2007.
"We were involved with intensive tours in the country and wanted a break from stage performances. It has been a well deserved break for me, as this gave me time to walk through many treks in the country and also finish up recording our 8th album." says Amrit Gurung.
This Australia Tour will come with some new songs and also new musicians. Niraj Gurung will perform his debut performance as Nepathya's guitarist replacing Hari Maharjan. With this change, Niraj is now the 21st musician to join the Nepathya Journey.
" In addition to the regular Nepathya number, the show in Australia will feature some new unreleased numbers, from it's forthcoming 8th Album – due to be released sometime in 2009." discloses Kiran Shrestha of Nepathya's management company nepa~laya, who is accompanying the group to Australia.
"I always had a dream to see Nepathya perform in Australia. Now that this is finally happening, I simply feel great and excited. I do hope this event will aid in bringing all Nepalese living in Australia together to share this joyous moment." says Prem Kaji Gurung, president of Tamu Samaj – Sydney.
Tamu Samaj Sydney is the Australia based sponsor for the tour which is to coincide with the Tamu Lochar celebration.
After completing the scheduled 3 city tour, Nepathya is scheduled to depart Melbourne on the 20th of January and arrive the same day here in Kathmandu.
Nepathya is known for its nation wide musical campaigns for peace, education and other social issues. Critics call them – The most earthy and socially responsible folk rock entity of the Nation.
Paleti, a micro concert series held at nepalaya's r sala every last Friday of the Gregorian calendar completed its fourth successive year on December 26, 2009. Kiran Kharel, the legendary lyricist shared his nostalgic memories with the audience. Suraj and Meena rendered their vocals to the evergreen classics by yesteryear veterans.
The evening in the packed 'r' sala started with Kiran Kharel's first creation, "He Dur Ka Sitara." The magical charm of Nepali contemporary music's golden era was refreshed as the evening progressed with"Himal Ko Kakhma Chha", "Timro Maya Kagaj Ko", "Mero Bitulo Bishwas", "Maitighar", "Kina Sasto" and "Ko Kasko Ho".
Kharel thanked Paleti for brining the normally neglected lyricists to the front. At the same time he expressed his worries on the loss of quality of Nepali music although the technology has helped to develop the quantity. "Singers, composers and lyricists would sit down together for many days before recording a song during those days, which is rarely seen now days. Maybe this is the reason that classics are seldom created now."
Paleti's music arranger and singer Suraj said, "The opportunity to sing such masterpiece was a memorable experience and that he would always cherish it."
"The rehearsals were more like a learning experience for me," budding talent Meena said.
Kharel's contemporary stalwart singer Yogesh Vaidya said, "I realized that a good audience is equally important alongwith good songs and music."
Paleti's coordinator Aavas informed that Paleti Concert would continue in 2009 and January Paleti will see veteran Phatteman once again. "Paleti is our endeavor for the continuation and preservation of Nepali contemporary music. We are grateful to the audience for supporting it to enter the fifth year. We are hopeful for the continuous support."
Paleti series for 2008 will be wrapped up with Kiran Kharel, the living legend of Nepali modern lyrics writing. Equally known for his radio program presentation and voice overs, Kiran Kharel will share nostalgic memories with the audience on December 26, 2008. His evergreen classics will be relived at nepa~laya's mini theatre 'r' sala with celebration of the fourth successive year of Paleti Series.
Pratap Subba, an artiste committed to Nepali contemporary music from Bhutan performed in nepa~laya's monthly musical concert Paleti on Friday, November 28, 2008.
The audience got emotional when he sang the pain of being a refugee.
“Uttar dakshin jata gae pahuna ko bhang lagchha, Yo jati ko bhagya kasto aafno bhannu koi chhaina Assam Burma Bhutan bata kheduwako taant lagchha”
Pratap also cheered them up with optimistic numbers like,
“E naulo manchhe suna yo sahar ma timi eklo chhainou bato haraeko, mato gumaeko yo thulo sansar ma timi eklo chhainau.”
Dedicated to music since his early childhood, his songs were hit in the Bhutan's national radio and equally popular with the mass in late 1980s. He has been living the life of a refugee since 1989 in Pathri Camp of eastern Nepal. This did not deter him from continuing his music. His songs had the distinct characteristics of Nepali contemporary music. Apart from songs reflecting universal emotions of love and betrayal, he captivated the audience with meaningful songs like,
“Pahad mathi Nepali baschha,
Nepali mathi aja pahad khasdai chha.”
Subba traveled down the memory lane and shared nostalgic memories of his days in Bhutan. He also shared his experience of living a refugee’s life.
“My music has been a positive influence for me in life. I felt very happy to share my feelings with listeners in Nepal through Paleti,” he said.
Coordinator of Paleti, Aavaas expressed his gratitude towards Pratap Subba, “We are grateful towards Pratap Dai for accepting our invitation and giving a different dimension to our endeavor of featuring artistes from different parts of the world who have contributed to Nepali contemporary music.”
nepa~laya has been organizing a close rendezvous with various noted music artistes of Nepal and beyond since past four years at its mini theatre 'r'-sala. Veteran lyricist Kiran Kharel will be featured in Paleti on December 26, 2008.
Come 28th of November – Paleti will feature Pratap Subba, a singer from Bhutan.
A Bhutani by birth but now limited to an identity of being one of many Bhutanese refugees living in one of the refugee camps in the eastern districts of Nepal, Pratap Subba had been a musician all along.
During his times in Bhutan, Pratap was active in music and this passion of his never waned. The atmosphere of the refugee camps and a life of a refugee have brought a different dimension to Pratap's music.
"It was a mere coincident finding him. I always believed Nepali music certainly existed in Bhutan, hence I was wondering around the refugee camps to see if any artists were living there, and I met Pratap dai." reveals Paleti Coordinator Aavaas. "His presence at Paleti has spread the dimension of our musical mission of Paleti to another level" he adds.
Nepali audience has been familiar with music from Nepali settlements in India like Darjeeling, Sikkim, Dooars and other north eastern states, but Bhutan has never been known for its music. With Pratap Subba, the audience is expected to experience a glimpse of the situation of Nepali music in Bhutan.
"In Bhutan, we were familiar with songs of Bacchu Kailash, Narayan Gopal and Deep Shrestha but being a closed society, freedom of expression including through art, music or literature was not openly possible," explains Pratan Subba. "I was once summoned by the local administration for singing Gopal Yonzon's
Desh le Ragat Mage…malai Bali Chadau, (I am willing to be sacrificed, if my country demands blood…)
I hope this example explain it all." he adds with an expression of nostalgia and patriotism in his eyes.
Similar stories on his life in Bhutan and then at the refugee camp will be shared by Pratap Subba with the Paleti audience, in addition to his collection of almost unheard songs.
Singer / composer Shanti Thatal enthralled the audience at nepa~laya's 'r'-sala as she proceeded with her Paleti show on the eve of 26th September 2008.
Performing for the second time for Paleti, Shanti Thatal presented songs to her credit as a singer and as a composer. She sang some unheard songs, which was a pleasant gift to all those present.
The houseful auditorium was under her hypnotic spell from the beginning when she started with, "U Pani Ta Koi Parai Ta Hoina."
The magic grew as she presented rare gems such as, "Rune Baani", "Ma Door Bhaera Ke Bhayo" and "Ae Phool". She also rendered her timeless classics like "Udi Jaaun Bhane" and "Samhalera Rakha."
The audience was amazed at the exuberance of Shanti Thatal in her late sixties.
"Shanti Thatal is a legend. I was really impressed with her performance at this age", veteran music artiste Bhim Birag said.
Smiling cheerfully Shanti didi said, "I am happy to perform in Paleti again. The audience was as lovely as before and I thoroughly enjoyed singing for them. It is a great opportunity for singers like us to be connected with this kind of audience."
Plaeti series is held at nepa~laya's 'r'- sala on every last Friday of Gregorian calendar. After a gap in October for the festivities, November 28th will see Pratap Subba, a veteran singer from Bhutan performing in Paleti.
Darjeeling based singer / composer Shanti Thatal, has arrived in Kathmandu to perform at the September (26th) Paleti.
Known for her timeless classics like – Samhalera Rakha, and her music for films like – Paralko Aago and Bancha Chahne Haru, to name some, Shanti Thatal is a scholar of Rabindra Sangeet and a Shanti Niketan graduate.
From singing songs for composer Amber Gurung during early 60s to composing music for films and other singers, Shanti didi has dedicated more than 5 decades of her life to music.
She had performed at Paleti, 2 years ago and is back to perform again. "Shanti didi has a very strong and dedicated following. We requested didi to come and sing for us again, as there was much fan pressure for inviting her at Paleti again," discloses coordinator Aavaas. "We at Paleti are extremely grateful to her for accepting our request." He adds.
"The earlier Paleti had somehow re-instigated motivation within me to do more music. When I went back to Darjeeling after performing here in May 2006, I started to collect old compositions and create some new music as well" says Shanti Thatal. "This Paleti I will sing some unheard songs to the audience. I hope they will like it."
Paleti is a micro-event series organized by nepa~laya at its auditorium – 'r' sala, where limited audience get to listen to singers of great repute in close proximity. Paleti is running through its 4th year.
Last Friday evening of August (29th), witnessed veteran comedy artist Madan Krishna Shrestha exploring the lesser known side of his persona as he started to open up his musical treasures. This came as a continuity to the Paleti Series, a musical journey being organized by nepa~laya since the past 4 years.
This pleasant musical gathering began with Madan Krishna opening up his musical treasure with raga yaman based "Pasal Bata Biki Sakeko Ma Manchhe" followed by numbers like "Arabaun Manchhe" and "Malai Ta Jindagile" before concluding the first half with "Sayathari Baja Eutai Taal", a song expressing the national unity. I was a roller costar ride of emotions as the audiences were moved with his meaningful and serious songs while he sang and erupted in roars of laughter when he interacted with them in between.
The second half of the show portrayed a mixed Madan Krishna, as he started with his trademark style in "Paleti Marera." He explained, grinning,
"I made this song especially for for Paleti."
The audience immensely enjoyed the socio-political satire element in this, which has been his forte,
"Jhai Jhagada Le Desh Pani Bigryo Kursi Ma Aankha Gadera Kursi Ta Aakhir Bandaina Babai Aafnai Desh Bigarera"
The evening then entered to songs with flair of comedy and satire like "Samay Bajee", "Gaena Jawani" and "He Bhagwan Mero Khaltiko Ghau."
Hearing nostalgic memories and small details on the songs first hand from Madan Krishna was an additional treat to the audience. However many could not stop smiling even as he spoke in a serious tone.
After fourteen songs and two hours of sheer magic, the audience still wanted more and he obliged by singing "Kasto Maya Laiechha" as a tribute to veteran singer Phatteman.
Music composer Shaktiballav said, "I found the real singer hidden behind his actor's mask coming to the front today. I was impressed with his singing, which was as good as it used to be years back."
Singer Madan Krishna Shrestha will be performing in nepa~laya's Paleti concert on August 29, 2008.
Madan Krishna Shrestha needs no introduction. He has been actively involved in social awareness through humor. He is undoubtedly the most popular comedy artiste of Nepal. But connoisseurs of music also know him for his passion for music and singing. He was interested in music from his early childhood since his village Jeetpur Fedi had a musical environment. Later on he learnt classical music from Sangeet Mahavidyalaya in Jhonche, Kathmandu. He started singing from 1966 and has more than hundred songs to his credit.
"Pasal Bata Biki Sakeko Ma Manchhe" recorded way back in 1967 is still remembered for its meaningful lyrics and sensitive singing. He has impressed the audience equally with sentimental, romantic and humorous songs like "He Bhagwan Mero Khalti Ko Ghau", "Araboun Manchhe Haru Bich", "Dherai Maya Na Deu" and "Khola wari".
Yet, his image as a comedy artiste later overshadowed the singer in him. We have heard his sharp edged satires and rib tickling humor but it will be a treat for the ears to hear him singing serious songs for a change. In an attempt to showcase this dimension of his persona, nepa~laya decided to present him in the Paleti series which has been presenting stalwart music artistes of Nepali adhunik since last four years.
Preparing with the musicians for the big day, he says, "Paleti has been playing a vital role to reintroduce the diminishing atmosphere where a singer and the audience remain in close proximity to enjoy music. I have witnessed that the audience in Paleti is very supportive. The kind of love and respect they have shown towards the artistes is remarkable. I am eagerly waiting to sing in Paleti."
nepa~laya has been organizing Paleti on every last Friday of Gregorian calendar. It is a musical rendezvous of connoisseurs of Nepali Adhunik music and its stalwart creators to enjoy music and share nostalgic memories. Songs and versions never heard before and probably never to be heard again have been Paleti's specialty and features artistes from Nepal and beyond who have contributed to Nepali music.
Durga bowed his head in front of his elder brother Badri before playing the harmonium; Badri blessed him by touching his forehead. nepa~laya 'r' sala witnessed a gesture of harmony bewteen rhythm, melody and brotherhood during the July edition of it's Paleti on Friday – 25th July.
Darjeeling based composer and singer Badri and Durga Kharel have never separated and always worked as a duet team. They are nearing sixty.
Known for their immortal number "Bolaun Bhane Timi Lai Baat Lagne Darr", they started the evening with "Gham Ra Jun Dubera", a Gopal Yonjan composition, which they had learnt during childhood.
"We were in class four when we started learning music from him," confirmed Badri.
They enthralled the audience with their melodious numbers like "Mero Maya Marshyangdiko Paani", Gaine Dai Lai" and "E Dhaka Topima Hera", and captivated the mood with meaningful numbers like "Kasta Kasta", "Jati Samjhanchhu", "Yo Kasto Achanak" and "Kina Jun Jagmagaunchha". As a tribute to the yester generation, Durga rendered Jiten Bardewa's "Ek Raat Thiyo", which became a pleasant surprise for many.
"It was indeed a pleasure to find that they have maintained their voice." Veteran lyricist Ratna Shamser Thapa said.
"Our music had taken a back seat as we were busy in our profession. Thanks to Paleti, we have picked up the loose threads again. This has now rejuvenated the passion of music within us. We feel we should never stop our music again." said the cheerful duo.
nepa~laya has been organizing Paleti series every last Friday of the Gregorian calendar at its mini theatre 'r' sala since 2005.
Singer but better known as a 'Ma' from the famous Maha Jodi - Madan Krishna Shrestha will perform at the August Paleti on 29th of August.
Badri & Durga Kharel, the noted composer/singer duo from Darjeeling will be performing in nepa~laya's Paleti series to be held on its mini theatre 'r'-shala on Friday-July 25, 2008.
They were inclined towards music as their parents Indra Lal Kharel and Bishnu Maya Kharel were in to music who sang Folk, Bhajans and Sangini. Badri Durga would chant Ramayan since they were in 4th standard which was taught to them by Furba Tamang. Bhanu Jayanti functions in Darjeeling would not be complete without their participation. Noticing Badri Durga's keen interest in music, their parents enrolled them in Kala Mandir where they got to learn from maestro Gopal Yonjan..
They continued practicing music as a team and learnt classical music from Utpal Basu. Badri looks after the rhythm and Durga takes care of melody, thus, creating a perfect harmony. They are known for their popular numbers "Bolaun Bhane Timi Lai Baat Lagne Darr", "Banki Pareki Maya Banki Pareki", "Aye Dhaka Topima Hera" to name a few.
Durga is a lawyer by profession and Badri is into Government services. In their late fifties, they have never separated till date and have become a perfect example of brother in arms. They stay together, have married siblings. The beauty of brotherhood reflects in their composition and singing as well. They will be spreading the message of the same brotherhood in July Paleti.
Although they have visited Nepal couple of times as a part of musical troupe, this will be their first ever solo concert. "We are very excited and take it as our acid test. We know that we have to live up to the expectation and prepared ourselves for it ", The cheerful brothers said while practicing with the musicians. The songs vary from deep, thought provoking semi classical to Folk based peppy numbers.
nepa~laya has been organizing Paleti series since last four years in its mini theatre 'r'-sala where noted artistes practicing the genre of Nepali contemporary music from Nepal and India have performed.
A graduate in classical music, Meera Thapa from Digboi -Assam, captivated the audience at nepa~laya's 'r' sala on 27 June, Friday evening. Most of the songs she presented were penned by veteran lyricist Hari Bhakta Katuwal when he was in Assam. Those unheard gems were the major attraction.
Meera Thapa started from "Yo desh ko maato", a patriotic number. Her trained vocals mingled with Bengali melody created a rapport with the audience from the beginning. She continued the magic with "Kasle mero baatoma", "Pahad jasto man bhitra", "Timi mero ankha ma", "Yo sheesha ko jindagi" and "Bolnechha koilee" to name a few. She also presented a Bengali and Assamese number which created a different ambience in 'r' sala.
"I was apprehensive since it was my first ever solo performance. But the tremendous affection and response from the audience made me feel at ease. I felt I was singing amongst my family members", said a jubilant 53 years old Meera after the show.
"I feel privileged to be able to perform in Nepal. It was an unforgettable experience for me and I will cherish the memory for ever," She continued.
Veteran singer Phatteman said, "We should appreciate her love for Nepali songs and music."
Although Meera Thapa is a relatively unknown name in Nepal, all the tickets were sold in advance. The coordinator of Paleti, aavaas said, "It feels good to see - our attempt to re-introduce Nepali adhunik music gaining support from music lovers. Our main aim has always been to present artistes within and beyond borders, who have contributed towards Nepali contemporary music."
nepa~laya has been organizing Paleti series every last Friday of the Gregorian calendar at its mini theatre 'r' sala since 2005.
Badri Durga Kharel of "Bolaun bhane timi lai baat lagne darr" fame from Darjeeling will be presented in July 2008 Paleti.
Meera Thapa, an active music artiste from Digboi, Assam has arrived in Kathmandu to perform in nepa~laya's monthly musical concert Paleti on June 27, 2008.
Meera Thapa was raised in a musical atmosphere in Digboi, Gohati as her father Lila Ram Rana was a singer in Gohati Radio. She was exposed to Rabindra Sangeet and started singing Hindi and Assamese songs as well. Later on she graduated in classical singing.
Haribhakta Katuwal and Bhabilal Lamichhane inspired her to take up Nepali contemporary modern music. Principal of Jarda Primary School in Gohati, Meera teaches Nepali and Bengali. She has been active for the promotion of Nepali music in Assam and surrounding areas.
Practicing for her show with the musicians, Meera says, "I am thankful towards Paleti for providing me with this opportunity. I am very excited. I feel that I have been rewarded today for learning music from early childhood."
Coordinator of Paleti, Aavaas says, "We will be listening to some unheard songs penned by Hari Bhakta Katuwal, which will be a pleasant attraction of this Paleti."
nepa~laya has been organizing a close rendezvous with various noted music artistes of Nepal and India since past four years in its mini theatre 'r'-sala.
Kumar Subba, the Darjeeling based veteran singer of Nepali Adhunik made Paleti concert memorable at nepa~laya's 'r' sala on 30th of May 2008. Subba, a close associate of Gopal Yonjan rendered unheard compositions of the wizard from his collection, which was the major attraction of Paleti this time. He surprised the audience with same charm and quality in his singing which he had four decades back.
Accompanied by his musician colleague Chandan Lomjel, Subba captivated the audience from the very first song, "Tara Haru Jhilmil Gardai." He continued the magic by remembering lyricist Ishwor Balav with "Pahad Ajhai Sukeko Chhaina." It was followed by Gopal Yonjan's "Tara Jadeko Aakash", "Birsiera Gae Pani", "Tero Maya Ke Lagchha", "Meri Rani", "Aja Samma Jasari" and "Ankha Dekhi Chihai Rahen" to name a few.
"Though I know Yonjan since 1966, it really was a treat to the ears and I was happy to be an audience to such beautiful and unheard melodies of Gopal Yonjan", said noted artiste Bhim Birag, who was mesmerized by Subba's singing.
Kumar Subba added colour to the enchanting evening with other compositions by himself, Shanti Thatal, Dibya Khaling and Durga Kharel. Audience wanted to hear his four decades old classics like "Sarangi Ko Taar" and "Sambhal Pachheuree", which the humble singer obliged with.
Most of the audience including poet Manjul had tears in their eyes when Subba sang "Peer Bisako Hoina", a melancholic song expressing the woes of a soldier in war front. They all hummed with Subba when he rendered his classic "He Phool Chundera"
"The audience wanted more of Kumar Dai even after two days of Paleti in May 2006. We are happy to have him for the second time", said Aavaas the coordinator of Paleti.
Still actively practising music, Kumar Subba said, "I always enjoy singing in Nepal and hope I can again sing for you. Such an audience are dream come true for any singer. "
Noted music arranger Chandan Lomjel expressed his happiness to be a part of nepa~laya's mission to preserve classic Nepali songs by stalwart artistes.
nepa~ laya's Paleti concert series has featured prominent music artistes from Nepal and India at 'r' sala since 2005.
All the seats for Paleti with Kumar Subba on May 30, 2008 have been sold out in advance with requests for tickets still pouring in. Kumar Subba had earlier performed in Paleti on May 2006 for two days. Due to immense public demand he has been invited for the second time. Subba is a renowned Nepali singer from Darjeeling and is accompanied by his musician colleague Chandan Lomjel.
"We have left no stones unturned to fulfil the listeners' expectation", Subba said rehersing at nepa~laya's 'r' -sala.
He will sing some unheard compositions as well as his evergreen classics.
Kumar Subba, the Darjeeling based veteran singer of Nepali Adhunik has arrived in Kathmandu to prepare for his Paleti concert scheduled for the 30th of May 2008.
This is Subba's second performance in Paleti. He had enthralled the audience in 2006 May along with music composer Karma Yonjan. This time he is accompanied by Darjeeling based music stalwart Chandan Lomjel.
Kumar Subba is still remembered for his timeless classics like "He Phool Chundera Lane Ho", "Deurali Ka Thiti Ho", "Sarangi Ko Tarle", "Mero Sano Muralima" and "Samhala Pachheuri Tyo" to name a few.
"I am delighted to be back in Paleti and will try to entertain the audience with my songs," said humble and softspoken Kumar dai, who is busy practising with the musicians at nepa~laya's 'r' sala.
Kumar Subba and Chandan Lomjel (R) rehersing at 'r' sala
April 25, 2008 Audience at nepa~laya's auditorium r-shala, witnessed a phoenix rising from its ashes, flutter its wings and score the sky. In Paleti, musical evening held every English month end, MP Gurung, a Nepali singer from Shillong captivated the connoisseurs of music for almost two hours.
MP displayed an amazing spirit at the age of 62 while he rendered 16 songs in his melodious voice. MP was singing after a silence of almost four decades. "Music took backseat when I joined the civil services in 1965. I never thought I would be singing again. I am thankful towards nepa~laya for providing me this opportunity."
It was indeed a treat to the ears to listen to his nostalgic notes. MP, who believes that music in recent times has lost its soul, presented his old numbers. Apart from his own, compositions by Ambar Gurung and Dharma Raj thapa served as the icing in the cake.
Namita Singh, Lecturer, attending Paleti for the first time, said she was surprised by Gurung's spirit. "I have learnt a lesson from him that it is never too late in life to learn or perform."
Neap~laya has been organizing the musical rendezvous, Paleti since last 4 years. Noted Nepali singers from Nepal and India have been featured in Paleti. "We have tried to present Nepali singers from north East India in 2008 series" Informed Aavaas, the coordinator of the program.
Paleti artist for April – Maha Prashad Gurung arrives from Shillong
Maha Prashad Gurung, has arrived in Kathmandu to sit and sing at the April Paleti show. Maha Prasahd, 60 is a dedicated singer – composer who is based in Shillong – a north eastern state of India, where a considerable population of Nepali origin resides.
Maha Prashad (MP) Gurung originates from Lamjung – a central Nepali district. His father had migrated to Shillong from Lamjung as a recruit in the Indian Army. Maha Prashad was born and raised in Shillong.
"My initial inclination to music could have started with my mother, who used to sing Mitra Sen songs with a harmonium. I was introduced to the keys of the harmonium by my mother." MP recalls in nostalgia.
With the formation of Nepali Art and Music Committee in Shillong in 1965, MP's passion for music accelerated. "When I heard Dharma Raj Thapa in Shillong in 1957, my realization of being a Nepali awakened. I then joined his tour to Assam, Gohati, Tejpur and surrounding areas. He taught me various songs and made me sing. He has remained my source of inspiration," MP recalls.
During early 60s MP recorded various songs for All India Radio, Gohati. MP was invited by Nepal Government in 1965 for a performance, when he recalls meeting Natikaji, Narayan Gopal and Premdhoj. He had then recorded a duet with Aruna Lama in the studios of Radio Nepal and also recalls accompanying Amber Gurung during his tour to Nagaland in 1966.
MP entered the civil services in 1965, and with his first salary he brought home a harmonium, which he has carefully preserved till date. The hectic schedules of his job somehow detached him from active music till Aavaas, the coordinator of Paleti met him convinced him to perform at Paleti.
"I am feeling rejuvenated but I hope my vocal and stamina will support my enthusiasm. There has been a huge gap since my last performance and I sincerely hope that I will get accepted by the audience. "
Come 25th April, MP will be singing after almost forty year at nepa~laya's r-sala.
Nepalaya's r-shala was in a hypnotic spell when Shantanu Kumar Limbu presented 16 different songs in his melodious and deep voice. The well acclaimed singer from Manipur, Imphal captured the audience right from the opening song "Jaaga jaaga Nepali." Limbu, in his fifties was exuberant as he further sang a mixture of romantic, folk, ghazals, Assamese and Manipuri songs like "Jhyal ma Basera", "Mangshir Ko Jhulke Gham", "Maadal Gamkiyo", and "Triveni Mela" to name a few. Bhupen Hajarika's "Biu To Liloy Ahilya", an Assamese number was a treat to the ears. Meena Niraula accompanied him in "Nokhidara" a Manipuri number which was also well appreciated by the audience.
Although listening to him for the first time, the audience immensely enjoyed them as his songs had flavor of Nepali folk and contemporary music. Most of the songs had simple yet catchy lyrical expressions. Limbu had taken a back seat after demise of his lyricist friend Padma Bahadur Rai few years back. Singer, composer and Paleti's coordinator Aavaas met him in Kanglatumbi, Manipur and convinced him to sing in Paleti.
"We have been inviting those artistes who, have been contributing to Nepali culture, music and language despite living outside Nepal." He said.
Shantanu surprised the audience with Bachhu Kailash's "Birseko Bhae Biteko Kura," and Narayan Gopal's "Aankha Chhopi Narou."
"I am a great admirer of these two singers and this is my respect for them," Shantanu said.
Shantanu Kumar Limbu Arrives For February 2008 Paleti
Updated February 20, 2008, 1:17 PM
He has been singing since last 40 years. Though he lives in Manipur,he has been singing mostly Nepali songs. His compositions have flavors of Nepali folk and contemporary music. He is Shantanu Kumar Limbu. Though many people in Nepal have not heard him, but the beauty of his compositions are, even when you hear his songs for the first time, you will feel that you have been hearing them forever.
A well known and reputed singer from Manipur, Imphal, Mr. Shantanu Kumar Limbu arrived in Kathmandu for February 08's Paleti. Mr. Limbu has been singing mainly Nepali songs apart from Assamese and Manipuri for Manipur Doordarshan and feature films.
He is currently practising with the musicians at Nepa~laya's R-Shala where he will be performing on 29th of February.
"I felt that I am amongst my family here," He expressed cheerfully. A man of jolly nature, Limbu further said,
"I am thankful that you have given me this opportunity. Since I happen to be the first one to represent that region, I will leave no stones unturned to make it a memorable evening."
Shantanu Kumar Limbu will be singing melodious romantic songs as well as some ghazals and awareness song.
Veteran singer Prem Dhoj Pradhan mesmerized the audience with his voice, when he rendered 18 of his evergreen songs in the Paleti Series at Nepalaya's r-sala on friday. The evening started with "Maya Namara Mayalu" which happens to be the first recorded song of the maestro. Pradhan, 72 sounded amazingly vibrant and energetic while singing as his fingers floated on the keys of the harmonium.
Nepal's leading folk rock band – Nepathya is all set to tour the Nation again. This time they will be touring to 15 places during a span of 40 straight days. "It feels great to be reaching to our fans and well wishers around the country again. Nepal beyond Kathmandu has always been dear to me," says Amrit Gurung – the front man / lead vocalist of the Band.
Hiranya Bhojpure is a popular name in the Nepali music sector. Hiranya
Bhojpure's musical career began from Lekali. Hiranya Bhojpure is
established as a singer, musician as well as a writer in the group.
Many of Hiranya's creations have come from his association with Lekali.
Pema Lama is a popular name in the field of Nepali music. Born in
March, 1955 in Lebong, Darjeeling, Pema's singing journey began at the
tender age of 8. Trained by Nepali and Bengoli Gurus, Pema has lent his
melodious voice to modern songs along with films--paralko aago (1976),
Bachnachaneharu (1982), Arko Janma (1983) and Zaar (1984) and plays and
cantata.
Nepathya has been invited by India Social Forum to perform at the
closing of this year's meet in New Delhi on the 13th of Nov.The Indian
chapter of World Social Forum – India Social Forum is happening in New
Delhi. It started on 9th and will go on till 13th of November 2006. The
main theme for this year's meet is – Asia Africa Solidarity.
A popular figure of the Nepali music sector, Prakash Gurung is an artist who enjoys originality in singing as well. Gurung has been a creative artist in the modern Nepali music sector since four decades back.
The musical magic of Aavaas is to come alive at the Garden of Dreams this 20th October evening. nepa~laya, the management company of this seasoned performer is incorporating this event as part of the opening festivity of the Garden of Dreams at Kaiser Mahal in Kathmandu.
Well known for her singles likes – Sahar Bhitra Ke ko Halla and duets with Daisy Baraily like Baduli Lagyo…, Gyalmo does have a lot more musical treasure to share with the Paleti audience. She has served the art field for more than 30 years now. A simple and humble looking Gyalmo carries with her a talent that reaches depth to satisfy any critiques.
Ganesh Rasik is a well-known figure in the Nepali music scene. Ganesh Rasik is a musician of the 'Ralfa' era. Before becoming a part of 'Ralfa', Rasik was more into writing then in music. However, 'Ralfa' made him inseparable to music.
August 7, Russian Cultural Centre, Kathmandu and one got to see this
scene enacted live on stage (perhaps for the first time in Nepal) for
the hearing- and visually-impaired at the fourth of the Nepathya for
All series organised by nepa~laya in association with the Finnish
embassy. The students were from various schools and organisations
around town.
Mani Kamal Chetri arrives to sing at coming Paleti
Renowned composer of Nepali Adhunik – Mani Kamal Chetri has arrived in Kathmandu to perform for the Paleti Concert Series scheduled to be staged at nepa~laya's 'r' sala on 28th of July 2006. Chetri is a Darjeeling based musician.
Nepathya which has been in Finland for a series of shows wrapped up
the tour with yet another successful show at Gloria Theatre situated in
downtown Helsinki. Nepathya was invited by the organisers of the World Village Festival
as the main performer and had delivered a successful performance at the
festival on the 28th of May.
Nepathya, finally performed to a packed audience at the Savannah Stage of the World Village Festival today. Nepathya was allotted 45 minutes for performance, but due to demand from the crowd, the Master of Ceremony of the show had to call back the band to sing one more number. The show started at 3:00 PM local time here and went on till 3:55 – during which, Nepathya performed 10 songs.
Amrit Gurung the front man of Nepalese folk–rock Band – Nepathya, today met the Finnish President, Mrs. Tarja Halonen at the World Village Festival (Maailma Kylasaa). During a short conversation – the Finnish President expressed curiosity over Nepal's situation.
After a close to 24 hour travel from Kathmandu, Nepathya arrived in Helsinki, the capital of Finland. They are scheduled to perform at The Savnnah Stage of the World Village Festival on the 28th of May. Prior to this, Nepathya is also scheduled to perform at Tampere (170 km north to Helsinki) and Hyvinkaa. Both shows are out door and open to public on the 25th of May.
Kumar Subba – Karma Yonzon arrives to perform at Paleti
Paleti with Kumar Subba and Karma Yonzon is scheduled for Friday, the 26th of May. Due to public demand the organisers has already added a show for Saturday as well.
Nepathya to perform at World Village Festival in Finland
Nepathya – the Nepali folk-rock band is set to leave for Finland tomorrow (22nd May) to participate at the World Village Festival. World Vilage Festival is an annual event organised by KEPA (Finnish Centre for Development Cooperation) with an aim to promote development aid work and thus raise people's awareness and willingness to support development.
An international centennial commemoration of the famous playwright Henrik Ibsen (1828-1906) is being marked all over the world during 2006. The celebration is taking place in Nepal too. Various events linked with literature, art, music and even fun sports is being organised here by the Norwegian Embassy to mark the celebration.
For more than 500 audience present at the Arenberg Auditorium in
Antwerpen, it was moment of mixed affairs.The show which started with
the showing of nepathya videos – 'Samsajhaima' and 'Yo Zindagani' made
the audience sentimental. With the music video 'Sa Karnali' it was a
fun moment to realize the beauty of the home nation.
Nepathya – the Nepalese Folk – Rock band which is currently on a tour
in Europe made its debut European performance at the Himalayan Film
Festival on the 4th of November 2005. The audience consisted of Dutch people having interest in the Himalayan
issues, delegate film makers from various countries and Nepalese
residing in The Netherlands.